Immortals Connor and Duncan Macleod join forces against a man from Connor's distant past in the highlands of Scotland, Kell, an immensely powerful immortal who leads an army of equally powerful and deadly immortal swordsmen and assassins. No immortal alive has been able to defeat Kell yet, and neither Connor nor Duncan are skilled enough themselves to take him on and live. The two of them eventually come to one inevitable conclusion; one of them must die so that the combined power of both the Highlanders can bring down Kell for good. There can be only one... the question is, who will it be?

He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.

An immortal Scottish swordsman faces off with other immortal warriors in order to obtain a coveted prize: mortality.

Horton, an old mortal enemy, puts a criminal through plastic surgery to make her look like Tessa. The false Tessa sets Duncan up for the final death.

The Meldrews make an effort to get on with their pleasant new neighbors; Victor buys a haunted caravan and accidentally kidnaps the mother of an Indian millionaire.

A world-class hitman ends up swapping identities with a down-to-luck extra actor during an accident.

Since he was 5 yrs old, Jose's abuelita taught him to play chess like his grandfather who was a champion in Mexico. Now as part of the Brownsville school team, Jose has the chance to use his skills and for once in his life, finds himself in the spotlight, as he tries to help his team make it to the Texas state finals. As their coach, Mr. Alvarado, teaches his students the meaning of perseverance and team effort in the face of adversity, Jose discovers his own strengths and uses them to bring his broken family together.

The time is the late '80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.

Pin de Fartie unfolds as a playful spin on theatrical adaptation and an experiment in character dynamics. The film charts three relationships defined by Samuel Beckett’s 1957 play Fin de Partie (Endgame): one between a blind man and his daughter; another concerning two actors rehearsing that same text; the third following a man who reads his blind mother Beckett’s play and discovers that it reflects their lives.

Endgame tells the story of Hamm, who is reduced to living in one room, in which he sits blind and chair-bound. His only escape from his solitary world is the company of his aging, legless parents, who live in garbage bins, and his shuffling servant, Clov, who is at his beck and call, and who, like a dog, comes when whistled for. The only thing left for Hamm is to wait for the inevitable end. A pinnacle of Beckett’s characteristic raw minimalism, Endgame is a pure and devastating distillation of the human essence in the face of approaching death. “Nothing is funnier than unhappiness” invokes Nell, which summarizes the tragicomic nature of this timeless play.